Minority Report

Customer reviews:

Fitting of the time, 2008-09-30
I must confess that some of the philosophical undertones of this movie were poignant to me. Nonetheless, I found this movie difficult to endure. The plot wasn't very suspenseful, although it was clever. Some of the major plot twists were very predictable while subtle details were handled in a creative fashion. **My personal disclaimer is that I think such notions of law enforcement are absolutely preposterous, and my stance on the issue left me too far removed from the debate to even enjoy the exploration of the possibilities. That said, I think the filmmakers employed some cute effects, and the vision of our world in the future was eye-candy.

The Eyes Have It, 2008-09-16
This movie made me squirrely, disconcerted, agitated, not because it was a movie with an important message to convey, but because it was exploitive and edgy just for the sake of edginess.
It's a futuristic overwrought work in which a precrime unit in Washington, DC, in 2054 prevents murders by using pre-cogs, pre-cognitive slaves who can see into the future and predict crimes that are going to take place. The three pre-cogs, male twins and a woman are kept in a vat of water with electrodes attached. The means justifies the ends, get it.
Tom Cruise is head of the unit; he's an anally-retentive, wired spring about to snap. He seems constipated or suffering from hemorrhoids throughout. He plays the role with extreme seriousness. Warning: the series of scenes about his eyes are very disconcerting. Scanners can identify people by their eyes so you get the picture.
Without giving any of the plot away, it's sufficient to say all the stuff regarding Tom Cruise's eyes is excruciatingly painful to view.
It's an unrelenting movie in which the tables are turned, and the crime fighters target Cruise. In super-hero fashion he fights off platoons of "cops," and learns that he has been set up. His escape with the female pre-cog is harrowing and too disconcerting. He performs unbelievable feats in his escape.
Max von Sydow is very good as Cruise's wily boss. Colin Farrell has a one-dimensional role that doesn't give him a chance to show off his real acting talent. Veteran actress Lois Smith is very good as the morally reprehensible "mad" scientist who even makes a pass at Cruise.
If this is your taste, you'll love it. If it isn't, you may cringe. Optical surgeons may shed a few tears over it. I realize mine is a minority report; most people are going be ga-ga eyed over this flick.
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